Shaanxi from the south to the north, especially in the Loess Plateau, eight hundred in Qinchuan, can see the dazzling red everywhere paper-cut. That Guzhuo shape, rough style, an interesting implication, diverse forms, consummate skill. Shaanxi paper-cut, occupies a very important position in the national folk art.
Shaanxi paper-cut has a long history, the folk art form in all parts of the country in different styles and characteristics of paper-cut art, old and simplicity of shaanxi paper-cut by its unique charm, is loved by people. Shaanxi paper-cut main forms have kiln top window flower, kang wai flowers, door, curtain, pillow flowers, table skirts, shoes flowers, clothing accessories, marriage double happiness flower, shrines decals, and so on. A variety of forms, rich in content. Paper-cut is the most common. Every Chinese New Year, no matter where the rural, the window to paste on the white paper, with red paper cut into the grilles, happy New Year. Shaanxi grilles on the content of expression, a kind of is the traditions, one is close to life, close to reality. Have people activities, flower, animals and birds, legends and folk tales. Modelling is rigorous, the folk flavour is dye-in-the-wood. cement machinery Shaanxi paper-cut by peasant women, mostly with simple, straightforward, concise, clear. Their creation is full of rich earthy and strong emotional color, without any raw mill affectation, with simple and unsophisticated folkway. They influenced by folk culture on the one hand, on the other hand, the observation and understanding of life were carefully observed, embodies the wisdom of ordinary working people, the heart to come to hand, and through the bold and rich imagination, use paper-cut to express their feelings and understanding of beauty of life.
In shaanxi paper-cut art, the first northern shaanxi folk paper-cut. Because over the past century, this area is located in the remote and difficult to incoming foreign culture, ancient culture and art are farm women inherited, handed down from generation to generation. As some paper-cut inherited the han dynasty stone style, outer contour practice, very full. Vivid and rich imagination. Such as peasant Spring Festival on door "melon seeds doll" limbs cut out paper, head melon seeds instead. Because the author were farmers, area wide, different age, so colorful paper-cutting theme. Vegetables, flowers and trees and grazing textiles, weddings, folklore and so on is the author old performance object. The guanzhong paper-cut with its elegant, meticulous and realistic and was deeply loved by people. Fewer paper-cutting in southern shaanxi, with exaggerated cement pruoduction line with the characteristics of exquisite, delicate hides the truth.
Paper-cut is to create the culture of women, in northern shaanxi have the custom of "regularity, qiao", to find her daughter-in-law, "don't ask people good, see first hand", hand qiao is watching paper-cut embroidery. Have "a look at the window 2 see shade", look at the window, is to look at the cut grilles, see door curtain is embroidered. It is generally believed that cut flower good woman must be smart and later gave birth to the baby is also smart. Now shaanxi rural, who will cut flowers, still be respected by the whole village. Every lunar day PoYi women together to learn each other cut flowers, have a good look out, grabbed for the sample. The women day visit each other to see who's window is good, see who hand the most artful. Shaanxi paper-cut forms, one is the monochrome paper-cut, 2 it is colour paper collage paper-cut, 3 it is stippling paper-cut, four is dyed paper-cutting, five is zhisu grilles, six is paper-cut smoked samples.
Shaanxi mainly monochrome paper-cut, modelling concise and simple, paying attention to exaggeration, inheriting the ancient concept of aesthetic taste and shape. In content is given priority to with plants and animals. Sage is said to vertical raw mill have enlightenment, but missed the northern shaanxi, hence shaanxi people's temperament is not like GuanZhongRen so the doctrine of the mean, so creative, joys and sorrows of dripping wet ball, so strong personality. Jingbian-yanshuiguang pipeline in northern shaanxi, AnBian, sense, people call the trilateral paper cutting, paper cutting into another kind of style, fine detail, small and exquisite, small in see big, depicting accurate. Hit "lele" fine such as needlepoint, cut out the fine lines, such as hair, both different yanan region, paper-cut, bold, and different jiangnan ancient books and realism. According to research, the trilateral originally border town, the court often send southern generals to guard here, they live with their families here, also brought in folk culture, combined with local folk art like that stay in, has a unique trilateral grinding equipment paper-cut.
Gap areas because of better economic basis, the form of paper-cut became more diverse, monochrome, stippling, collage, paper plastic, and other forms of mutual utilization, content is given priority to with figures, flowers and birds in the animal symbol is often added to culture symbol unique romance, sweet, and so on, have a strong cultural characteristics of the central plains KuShuLan xunyi county folk paper-cut collage, more than eighty years old, in shaanxi province cultural department named paper-cut art master. She put the collage paper-cut development acme, the experts and scholars, Taiwan han for KuShuLan published large album album. China central television (CCTV), shaanxi TV filming project
To report. Heyang paper-plastic paper-cut vertical mill of flower old man creation, character modelling from in the drama, the drama characters vividly depict the fact. Monochrome paper-cut of weihe river is affected by its shadow play modelling, and sit monochrome paper-cut influenced by board pictures, it can be seen that the central plains culture deep inside information.
Welcome to our website :http://www.cement-equipment-china.com/
Shaanxi paper-cut has a long history, the folk art form in all parts of the country in different styles and characteristics of paper-cut art, old and simplicity of shaanxi paper-cut by its unique charm, is loved by people. Shaanxi paper-cut main forms have kiln top window flower, kang wai flowers, door, curtain, pillow flowers, table skirts, shoes flowers, clothing accessories, marriage double happiness flower, shrines decals, and so on. A variety of forms, rich in content. Paper-cut is the most common. Every Chinese New Year, no matter where the rural, the window to paste on the white paper, with red paper cut into the grilles, happy New Year. Shaanxi grilles on the content of expression, a kind of is the traditions, one is close to life, close to reality. Have people activities, flower, animals and birds, legends and folk tales. Modelling is rigorous, the folk flavour is dye-in-the-wood. cement machinery Shaanxi paper-cut by peasant women, mostly with simple, straightforward, concise, clear. Their creation is full of rich earthy and strong emotional color, without any raw mill affectation, with simple and unsophisticated folkway. They influenced by folk culture on the one hand, on the other hand, the observation and understanding of life were carefully observed, embodies the wisdom of ordinary working people, the heart to come to hand, and through the bold and rich imagination, use paper-cut to express their feelings and understanding of beauty of life.
In shaanxi paper-cut art, the first northern shaanxi folk paper-cut. Because over the past century, this area is located in the remote and difficult to incoming foreign culture, ancient culture and art are farm women inherited, handed down from generation to generation. As some paper-cut inherited the han dynasty stone style, outer contour practice, very full. Vivid and rich imagination. Such as peasant Spring Festival on door "melon seeds doll" limbs cut out paper, head melon seeds instead. Because the author were farmers, area wide, different age, so colorful paper-cutting theme. Vegetables, flowers and trees and grazing textiles, weddings, folklore and so on is the author old performance object. The guanzhong paper-cut with its elegant, meticulous and realistic and was deeply loved by people. Fewer paper-cutting in southern shaanxi, with exaggerated cement pruoduction line with the characteristics of exquisite, delicate hides the truth.
Paper-cut is to create the culture of women, in northern shaanxi have the custom of "regularity, qiao", to find her daughter-in-law, "don't ask people good, see first hand", hand qiao is watching paper-cut embroidery. Have "a look at the window 2 see shade", look at the window, is to look at the cut grilles, see door curtain is embroidered. It is generally believed that cut flower good woman must be smart and later gave birth to the baby is also smart. Now shaanxi rural, who will cut flowers, still be respected by the whole village. Every lunar day PoYi women together to learn each other cut flowers, have a good look out, grabbed for the sample. The women day visit each other to see who's window is good, see who hand the most artful. Shaanxi paper-cut forms, one is the monochrome paper-cut, 2 it is colour paper collage paper-cut, 3 it is stippling paper-cut, four is dyed paper-cutting, five is zhisu grilles, six is paper-cut smoked samples.
Shaanxi mainly monochrome paper-cut, modelling concise and simple, paying attention to exaggeration, inheriting the ancient concept of aesthetic taste and shape. In content is given priority to with plants and animals. Sage is said to vertical raw mill have enlightenment, but missed the northern shaanxi, hence shaanxi people's temperament is not like GuanZhongRen so the doctrine of the mean, so creative, joys and sorrows of dripping wet ball, so strong personality. Jingbian-yanshuiguang pipeline in northern shaanxi, AnBian, sense, people call the trilateral paper cutting, paper cutting into another kind of style, fine detail, small and exquisite, small in see big, depicting accurate. Hit "lele" fine such as needlepoint, cut out the fine lines, such as hair, both different yanan region, paper-cut, bold, and different jiangnan ancient books and realism. According to research, the trilateral originally border town, the court often send southern generals to guard here, they live with their families here, also brought in folk culture, combined with local folk art like that stay in, has a unique trilateral grinding equipment paper-cut.
Gap areas because of better economic basis, the form of paper-cut became more diverse, monochrome, stippling, collage, paper plastic, and other forms of mutual utilization, content is given priority to with figures, flowers and birds in the animal symbol is often added to culture symbol unique romance, sweet, and so on, have a strong cultural characteristics of the central plains KuShuLan xunyi county folk paper-cut collage, more than eighty years old, in shaanxi province cultural department named paper-cut art master. She put the collage paper-cut development acme, the experts and scholars, Taiwan han for KuShuLan published large album album. China central television (CCTV), shaanxi TV filming project
To report. Heyang paper-plastic paper-cut vertical mill of flower old man creation, character modelling from in the drama, the drama characters vividly depict the fact. Monochrome paper-cut of weihe river is affected by its shadow play modelling, and sit monochrome paper-cut influenced by board pictures, it can be seen that the central plains culture deep inside information.
Welcome to our website :http://www.cement-equipment-china.com/